The concert opens with a live set by Purelink, a young trio from Brooklyn now regarded as one of the most original voices in the new North American ambient scene. Their music moves between ambient, abstract dub, and expanded electronics, with particular attention to the microstructure of sound and the creation of rarefied acoustic spaces. Minimal samples and field recordings are transformed through granular processes and slow modulations, generating textures in constant evolution. Rhythm, never linear, emerges more as a peripheral vibration than as a metric pulse, shaping a perception of time tied to timbral density.

The second part is entrusted to Dasha Rush, a Russian artist active between Berlin and Paris, who in the ambient field explores slow processes, timbral stratifications, and continuous modulations. Her hybrid sound sources—synthesizers, processed voices, electronic noises, and environmental recordings—merge into a continuum in perpetual transformation. Every sound undergoes micro-variations that create a sense of controlled instability, while spatialization becomes an essential compositional parameter. The live performance unfolds through gradual transformations, favoring perceptual depth over impact, and finds in the acoustics of the Auditorium San Fedele an ideal environment to reveal the subtlety of resonances and the internal movements of sound.