Alessandro Bono (I)

Born in Milan (1993), he studied cello with Alfredo Cicoria and orchestral conducting with Yoichi Sugiyama, then specialising in composition with Giovanni Verrando, Daniele Ghisi and Andrea Agostini.
His main artistic activity focuses on interdisciplinary production and performance, combining post-instrumental practices with video art.
He is the founder and active member of Endkadenz, an experimental artistic project born in Milan (2023), dedicated to new stringed instruments and post-digital musical aesthetics, represented by the Associazione Suoni Brutti ETS, of which he is president.
He has collaborated as a performer, composer and arranger with ensembles, chamber orchestras, theatre companies and international artists, actively participating over the years in studio productions, concerts, shows, tours and contemporary art exhibitions.
His recent work has been performed by Ictus Ensemble, Divertimento Ensemble, mdi Ensemble and others at international festivals dedicated to new music.
He is currently conducting theoretical research on the sociology of post-digital music, as a continuation of his Master’s thesis in Composition: “Aesthetics of production. Reflections on the relationship between composer, ensemble and institutions in post-digital music”.
At the same time, he carries out project management activities at the International Young Composers Academy Ticino and the Claudio Abbado Civic School of Music.