Fanny Sage (F)

Fanny Sage is a French dancer, choreographer, and performer, and one of the most versatile and distinctive figures on the contemporary European scene. Born and raised in Paris, she trained at the prestigious Conservatoire National Supérieur de Musique et de Danse de Lyon, where she developed a physical language that blends technical precision, interpretive sensitivity, and a strong inclination toward cross‑pollination between dance, theatre, and visual imagery.

After graduating, she quickly entered the professional circuit, collaborating with numerous contemporary dance companies, including Cie d’Abou Lagraa, La Baraka, Cie Maryse Delente, Cie Paul Les Oiseaux, SansLettres, Art Track, LAC, and La Marche Bleue. Her ability to merge movement, stage presence, and intense physical acting has led her to be chosen both as a performer and as a choreographer for a wide range of projects, from dance‑theatre to site‑specific performance.

In 2020, she was invited to join the renowned Belgian company Peeping Tom for the production Triptych: The Missing Door, The Lost Room, and The Hidden Floor, an internationally acclaimed trilogy. Her collaboration with Peeping Tom marked a significant milestone in her career, solidifying her reputation as an artist capable of moving effortlessly between dance, physical theatre, and visual storytelling.

Alongside her work with dance companies, Fanny Sage has built a prominent career in fashion, advertising, and music videos. Her image and unmistakable style have been featured by brands such as Chanel, Cartier, Hermès, Kenzo, Nina Ricci, Loro Piana, Dior, Audemars Piguet, Messika, Vogue, Valentino, Lancôme, Gucci, Bulgari, and Swarovski. In the music world, she appears in videos by internationally renowned artists including Stromae, Placebo, Elton John, Angèle, Malik Djoudi, and Hania Rani, contributing her presence to the creation of strong and memorable visual aesthetics.

Her personal artistic research focuses on the intersection of dance, everyday gesture, and emotional introspection. In recent years, she has created several works, including a solo for La Compagnie SansLettres, a duet with Art Track, and a female duet with the company LAC. Her most recent piece, AMA, is a solo inspired by Japanese philosophy, in which Sage explores fragility, resilience, and transformation through an essential and deeply poetic stage language.

Active between Paris and the rest of the world, Fanny Sage continues to expand her artistic universe by collaborating with choreographers, directors, musicians, and international brands. Her ability to move fluidly across different worlds — from contemporary stage work to cinema, from fashion to performance — makes her a unique figure, embodying a form of dance that is at once physical, cinematic, and profoundly human.