Sarah Davachi (b. 1987, Canada) is a composer and performer whose work is concerned with the close intricacies of timbral and temporal space, utilizing extended durations and simple harmonic structures that emphasize gradual variations in texture, overtone complexity, psychoacoustic phenomena, and temperament and intonation. Her compositions span both solo and chamber ensemble formats, incorporating a wide range of acoustic and electronic instrumentation. Similarly informed by minimalist and long-form tenets, early music concepts of intervallic and modal harmony, as well as experimental production practices of the studio environment, in her sound is an intimate and patient experience that lessens perceptions of the familiar and the distant.
In addition to her acclaimed recorded output, Davachi has toured extensively across the globe alongside artists such as Grouper, Quatuor Bozzini, William Basinski, the London Contemporary Orchestra, Oren Ambarchi, Suzanne Ciani, the BBC Scottish Symphony Orchestra. She currently operates the record label Late Music, founded in 2020 with the partner labels division of Warp Records.
Between 2007 and 2017, Davachi had the unique opportunity to work for the National Music Centre in Canada as an interpreter and content developer of their collection of acoustic and electronic keyboard instruments. She has held artist residencies with The Banff Centre for the Arts, Quatuor Bozzini, STEIM, Elektronmusikstudion, OBORO, the Melbourne Electronic Sound Studio, the National Music Centre, and the Swiss Museum & Center for Electronic Music Instruments, and holds a master’s degree in electronic music and recording media from Mills College in Oakland, California. Davachi is currently a doctoral candidate in musicology at UCLA, focusing on timbre, phenomenology, and critical organology, and is based in Los Angeles, California.